All Dressed Up for NHTA

Here's Daniel, his girlfriend Olivia, Jemi and me. We all got gussied up for New Hampshire Theatre Awards 7 on Feb. 6, 2009. It was probably the most successful awards night yet, at least in terms of crowds and energy and serendipity (sometimes melancholy). A frequent nominee of the event has been the famous and beloved James Whitmore, who performs just about every summer for the Peterborough Players. He died the day of the awards and we learned about it when the manager of the Players asked if he could say a few words before the annual memorial video, honoring those who has passed in the previous year. Whitmore made a number of other "appearances" through the night, including a couple of comic references to him in skits that had been filmed beforehand (one actor groused on camera, blaming him for making it impossible for anyone else to take home a Best Actor award), in a short clip from his last performance on the Peterborough stage this summer (as the Stage Manager in "Our Town"), and, most profoundly, in an acceptance speech. Academy Award writer Ernest Thompson received a Lifetime Achievement Award that night and after some other remarks, noted that he had spoken to Whitmore, a long-time friend, earlier that week. He had told Whitmore that it seemed like the Lifetime award should be going to him, instead: "because, you know, you're older," explained Thompson. He knew that Whitmore was ill (with cancer) and promised to dedicate the award to him. Naturally, he did, in the most emotional moment of the night.

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Bye Bye Birdie Logo

I created this for a Concord High School production of Bye Bye Birdie. It was never used. Nonetheless, I like it's contemporary sloppiness. Looks like an expensive T-shirt design to me. Maybe I should go into expensive T-shirt designing.

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Jorge Luis Borges Coin 1899-1999

Jorge Luis Borges Coin 1899-1999, originally uploaded by TheAlieness GiselaGiardino²³.

I've got to find me one of these.

The Money Shot

Just back from the family reunion in Shreveport. Well, with so many special moments in a week and a period of hanging out with the entire Broussard clan (minus one, sorry Heather), why does this photo define the experience? It was very late on the evening after visiting Vermillionville in Lafayette (with a 4-hour drive still ahead) and dropping in on the Ancelet cousins and exposing my wife and kids to serious Cajun reality via an evening of eating crawfish and dancing to the Louisiana Rhythm Devils and listening to deep BS storytelling (thanks Barry) and family history (thanks Mary Caroline) that we decided to visit the hamlet of Broussard, La. We drove through looking for something with the Broussard name on it to pose beside and I found a tourist kiosk near a Starbucks. I paused in the road and asked Biz to check it out for good signage. Cop-conscious Daniel noted that it was a bad idea to pause in the road. What harm could it do at such a late hour with no other cars on the road, asked I. Daniel remained nervous and sure enough, blue lights burst behind us. The cop emerged from his cruiser and I pulled out my license and prepared for the routine. The cop asked Elizabeth, who had returned from the kiosk, to stand "here" in the road while he "ran" my license. I explained what we were up to and he seemed to get it, but protocol took precedence. Finally he returned the license and told us to move along. Daniel piped up, "I told him to park out of the road." The cop said I should have listened to him (ironic?). Just as we were all about to leave I leaned out the window and said, "Hey, last time we were in Broussard the police chief invited us into the station and gave us a 'Town of Broussard' video (true story). Can we just take a photo by your car?" The cop frowned and said they discouraged that, since they didn't like such photos turning up on the Internet. Then, probably realizing he'd just rousted some harmless tourists, he added, "I'm doing a walk-through of that Starbucks. I'll just do my business and you do yours." He pulled into the Starbucks parking lot and walked up to the door. Some employee tried to head him off, saying that they were closing, but he insisted that he "walk through" the place. Jemi and I knew this was our window of opportunity and we told Eleanor, Biz and Daniel to quickly pose by the cop car. This is the photo that resulted. Charming and revealing on so many levels. The Broussards do Broussard, La.. A picture is indeed worth a thousand words.

tight shot

tight shot, originally uploaded by Broussardish.

We were visiting colleges in the Midwest (go figure) with Biz and at Carleton in Northfield, MN, we got to hang out with a couple of students we know. Famous Concord High drummer Pete Jones showed us a couple of places not on the student tour, like a stone labyrinth on a little island and a cool Japanese garden where we took this photo. Later on, we had Indian food with Hillary Adams, the lovely former stage manager of numerous Concord High plays (including Les Mis), at a little restaurant called the Kurry Kabab in a strip mall. This also, in a way, was a step outside the official tour, since the admissions guy, at the end of his presentation, mentioned this great Indian restaurant right down town that was supposed to be the best in the Minneapolis region. Hillary said that every tour gets that spiel and that there must be some kind of kick back because the Kurry Kabab is better. The Kabab was great and there was enough left over for us to send a large fragrant doggie bag back to Hillary's dorm. Both Carleton and Cornell College in central Iowa were pretty wonderful. The trip was pleasant although we spent a lot of it driving or cramped into airplanes.

The Brotherlode

BillCloseUp, originally uploaded by Broussardish.

My dear brother Billy (probably Bill to his friends, but I knew him when) just sent me a link to his Photobucket site where he has dozens of old family photos, including this one that my brother John took of him with Dad's old original Polaroid SX70. Billy looks to be maybe 11 or 12? That would make this photo from about 1969? Looking at old photos reminds me of an experience I had in a small airplane taking aerial photos. Looking down on a busy area from that perspective you realize how close together everything is. On the ground, having to drive around with limited visibility, you think of the time to get from point A to B as some kind of objective distance when often point B is just separated from point B by a couple of one way streets and single city block. This analogy probably makes little sense unless you've been up in a plane, but it's my blog, so I'm permitted to ramble. What I'm saying is that, from the perspective of my present age, having raised three kids to college age, I sometimes wonder how when we were kids ourselves, we packed so many changes into such a shot span of time. Anyway, Billy's gift of these photos will be something I'll spend a long time unwrapping. I'm hoping that all the Broussards will start opening up their individual troves of photo gold and share them via online means.

Squash Delight

squash delight recipe, originally uploaded by Broussardish.

Ernesto commented on my post in which I mentioned an old family recipe that we finally revived on Thanksgiving this year. I think the formula should be visible in this photo of a cross stitching that Jemi did decades ago. It's a pretty simple recipe, but it was my mother's and grandmother's favorite way to eat squash. It's probably a Southern-style recipe, but it went over pretty well with the N.H. family when I recreated it. I substituted yogurt for the mayo, since mayonnaise has never appealed to me. (This aversion is due to some kind of childhood event. It's not clear but one of my earliest memories is of tasting a sandwich and coming to the conclusion that mayonnaise has a disgusting flavor. That opinion had grown less emphatic over the years, but I still avoid it.) The classic squash delight has water chestnuts in it, but I may try pecans when I make it for Christmas.

Farewell Dan Fogelberg

It's a bit late for a eulogy, but it's not often I read the morning paper, notice some famous person has died, and actually feel a personal loss. When I learned that Dan Fogelberg had died of prostate cancer at age 56 on Dec. 16, I actually let out a groan of sympathy. My daughter overheard and asked what was wrong. I told her and, naturally, she didn't know who he was.

He hasn't been much of a presence in recent years, and he was never a superstar, though he had a handful of "soft rock" hits like "Leader of the Band" and "The Power of Gold." I haven't really thought much about him and I had no idea he was sick. I also didn't realize that he was barely a year older than I. Coincidentally, just a few weeks ago, I was goofing with my old record player and I put on Fogelberg's "Netherlands" album. It's one of those albums that constituted a soundtrack to a period of my life. We used to keep it on rotation on The Farm stereo when that rural enclave was a social nexus to our strange extended family and to an orbiting collection of friends. The album has held up well as a heartbreakingly beautiful and passionate rock symphony. Dan was a musician who could play highly melodic and sentimental music and retain an artistic credibility. Even my old friend Stuart Murphy, a music industry insider who had a pretty critical ear, always liked him.

After The Farm began to disintegrate and my family split up, I found myself living in Baton Rouge with my dad. I'd been doing odd jobs, mostly printing, and I had even tried working in the Gulf as a galley hand on a drilling rig, but it's safe to say I was floundering. I'd settled on a job at a Kroger grocery store, stocking shelves at night, just when Fogelberg's New Years Eve opus "Same Old Lang Syne" was getting some airplay.

The lyrics tell the story of a chance encounter between the musician and an old flame in a supermarket. He's become famous. She's married with kids. They share a beer in the parking lot. She leaves. He stands there alone in the snow with only his thoughts.

During those long winter nights the song would play on the store's sound system in the wee hours and always took me to some place lonely and sad, but I could never resist the trip. I'd find myself looking forward to it each night. The haunting coda, "and the snow turned into rain" was my reminder that you can connect with the past, briefly, but you can't go back. That was pretty poignant for me in those "cusp" years between The Farm and the Sideshow Pizzeria and old long-time girlfriend Pam on the one hand and the totally alien future on the other.

Thanksgiving Reunion

Thanksgiving Day Family Shot 2, originally uploaded by Broussardish.

Weird to think we're already having an event that qualifies as an immediate family reunion, but when Daniel and Eleanor came home from their respective colleges for Thanksgiving, that's what it was. We had a great meal and, as we tend to do, we also celebrated Daniel's and Grandpa's birthdays (21! and 75!) since they both actually fall in the next week. In a fit of inspiration, I decided to make an old family recipe for something called Squash Delight. It was Grandmother's favorite vegetable recipe, and since she was practically a vegetarian, that was saying a lot. Mom used to make it as well, and it was one of the few dishes I'd ever eat that has mayo in it. In my version I substituted plain low fat yogurt. It was a hit with just about everyone who tried it (Jemi has a problem with green peppers, but she was polite). If anyone reads this and would like the recipe, leave a reply and I'll post it.

Rick Makes a Splash

Rick Makes a Splash, originally uploaded by Broussardish.

I was invited to make one of the first splashes on a Pollock-esque painting, a community participation art project at Holman Stadium in Nashua. This is the first of 17 coats of splatter that will go on the 8 by 48-foot "canvas." It was fun. Artist Ken Gidge, who oversaw the process, said I had a knack for the format.

Open Secrets

The title of this post is half of the title of an amazing book by one of the tutors at my son's school: St. John's College. I've been dipping into it more and more often lately. The complete title is Open Secrets/Inward Prospects and the author is a sweet-faced, gray-haired woman named Eva Brann. I picked up a copy on the advice of someone while visiting the school. It's not a linear book, more like a book of quotes all by the same person. You can dip in anywhere and find something fascinating. Since she is relatively old and teaches the young, a lot of the book deals with issues of age, generational disparities, what has been gained or lost over time for individuals and for the world. Her language is embued with the style and richness of the classical literature that is the DNA of St. John's.

Here's one quote, picked randomly:

"What are the young deprived of; nearby green groves with a hidden observant Pan, open churches with their heirarchy of pomp, stifling cities and their heavy neighborhood-auras, brooding pasts with beautiful archetypes, stern courts with dangerous power, the elegant malevolences of smart strong teachers. What they get is prosperous freedom. Does it have a savor?"

or

"Surely flagellating the imagination with hallucinogenics is a huge admission of its failure."

or

"The bully conservatives know as little about conservation as the officous liberals know about liberty or the ranting radicals know about roots."

None of these by itself does the book justice. The effect of reading it, the gestalt, if that word applies here, is that of being submerged in a vast mind with an excellent librarian who stands ready to show you the spine of every great book you've always wanted to read -- and not the paperback editions: the original printings with etched plates, stiff bindings and pages uncut, awaiting your investigation.

I understand she was recently named a national treasure by someone in the Bush administration.

I still remember seeing her at St. John's, surrounded by students and their parents. To say she had a saintlike glow might be extreme and a projection, but she was serene. I went to get the book from elsewhere to have her sign it and she had disappeared.

Now that I'm familiar with the book, I realize how redundant it would be to have her adorn it with her autograph.

Award-winning Art

I actually won a prize for the creation pictured here. It's hard to appreciate the inspired design and fantastic detail from this ancient slide that I recently had scanned. In case it isn't obvious, that's the Mummy about to clobber the Wolfman with a large bone. Both are standing in a swampy graveyard beneath a tree full of bats next to a pit of quicksand. Oh yes, barely protruding from the quicksand is the face and hands of a terrified man -- the only witness to the battle of monsters taking place as he slides to his ghastly doom. I made the tableau out of paper mache, found objects and Aurora models. It was my entry in the Master Monster Maker contest, sponsored by the model company and a local hobby shop. I won first place and got a cheesy plastic plaque made to look like a green Frankenstein monster face. Wish I still had it. I could add it to my tiny case of awards earned over the years.

Sic transit gloria mundi

Oh, yeah, that's the foot of our dalmatian, Chicory, appearing at the top of the frame. This photo was taken in the gazebo of our house on Poquito Bayou Road in Shalimar, probably around 1964.

I always wanted a hedgehog

adopt your own virtual pet!

Just for fun.

My wound

My wound
Originally uploaded by Broussardish.

On New Year's Day I was following my routine for lunch and making a can of soup. I had the soup can in my right hand and with my left I reached over to stove for a Corningware pot. When it slipped from my grasp, my left hand automatically descended to try to grab it before it hit the countertop. My hand arrived a split second too late and was impaled on a shard of Corningware. I knew it was bad (lots of redness and gapingness) and I made some groaning sounds which my youngest daughter heard from the adjoining room. She found me rinsing my gushing wound over the sink. She remained calm and drove me to the emergency room where I had to sit and bleed on the carpet for a while. We managed to reach my wife and other daughter before they returned to the house to find us missing with blood everywhere. I finally got 7 stitches along my "head" line on my left palm. I also cut or nicked a nerve which supplies sensation to the middle and ring fingers of that hand. More on that later.

Miracle on South Street

Maybe it’s just me, but it seems like the world goes a little faster every year. This becomes most apparent at the onset of winter, which is kind of like an annual deadline. There are some things that just have to be done before it gets too cold or else they simply have to wait, and the list of undone tasks grows every fall. For instance, this year I never got around to planting bulbs, one of the easiest ways to cheer up mud season. My driveway is about five years overdue for a coat of sealant. I still have leaves from my late-dropping silver maple all over my yard. (I know, there’s no snow yet and the ground isn’t frozen, but I’m already resigned to cleaning up the yard after the thaw.) I never turned the mulch pile or tilled the garden before I dumped the few measly tarps of leaves I was able to scrap together. My plan to paint the exterior of the house in sections is such a bold initiative that I suppose I can wait another season to start it up.

At a certain point, the activities of the year actually “lap” you and leave you in their dust. But it’s only at that point that you begin to discover the true blessings of procrastination. Case in point, the storm doors and windows I never took down last spring (it was so cool last summer I never felt the need) are fine just where they are. Mission accomplished. But then, while casing my forlorn yard, I noticed that the Christmas lights I strung last year and never took down had been chewed by squirrels and their wires were dangling.

I found some duct tape and with my pocket knife I was able to strip and splice them right where they hung. I pulled the old extension cord out of the weeds, stretched it to the outlet and plugged it in. There were a few goners, but most of the strings worked just fine.

The Broussard home was one of the first on the block to have trees aglow with twinkle lights.

It was like a Christmas miracle.

Happy Anniversary

cassette
Originally uploaded by Broussardish.

In the future, when the robots take over and treat humanity like an exotic breed of cats who require space and pampering, I suspect that all we'll do is lie on plush mats and bat a mouse around to navigate the "Ultranet" (or whatever they will call it). I'm glad that there already are some cats with enough free time on their hands to come up with stuff like this (visit www.says-it.com to create your own). At a record sale in downtown Concord this summer I picked up a batch of cassettes for a buck apiece and I've been enjoying the fidelity and ease of use (my car has a cassette deck, so to play a CD requires two adaptors and all the wires and a place to put the portable CD player). Since then, I've been singing the praises of the cassette. It was such a durable format. I still have a few of them from the 70s that play just fine. I somehow doubt that any CDs that are getting steady use will hold up as well. When I discovered this fun little cassette label generator, it seemed appropriate to use it to acknowledge the most durable format of my life, my marriage to my band-mate Jemi. Our 21st anniversary was last week, and we exchanged notes and had dinner and such, but it wasn't quite as sentimental as it ought to have been. Here's a chance to declare my eternal love in music, without having to actually sing. And you don't want to hear me sing, trust me.

Mighty Clods of Joy

Here's a term I think merits coining: googlestalgia.

You know, it's when you remember something, someplace, or maybe some name from your youth and decide you want to plug it into Google at the next opportunity to see what turns up.

I had a bout of googlestalgia the other day, when a familiar phrase from my youth came to mind and I realized that I had never heard anyone else (other than my older brother) use it in my entire adult life. The phrase is "dirt clod war."

When I was an adolescent those three words caused a thrill at the core of my being. There were only a few places in sandy N.W. Florida, where I was growing up, where high caliber dirt clods could be found, but a trip to one of them with a group of friends was about as excting as life could be back then. The red clay bluffs of "Field 4" on the Eglin Air Force Base reservation near Ft. Walton Beach was the ideal dirt clod war terrain. There was plenty of cover and lots of high ground from which to launch attacks. There was even a clear-running stream in the nearby woods to provide hydration and clean-up.

The rules were simple. Form teams (or make it every man for himself), find some patches of good clod-rich dirt, wait for the enemy (or seek him out), and throw dirt at one another. I can remember the sensations as clearly as my first kiss: the shock of the impact of getting a clod on the back or neck and the following cascade of dirt and sand into the hair or underneath the clothes — and the absolute bliss of watching a clod arc from my own hand and intercept a running figure. When conditions were perfect, red clay dust would explode into the air like a mist of blood. Oh yeah, the only other rule to dirt clod war was that the game would not end until someone got hurt.

I don't think this rule was ever agreed upon. It was just inevitable that someone would get a rock in the eye or go flying down a red clay crevasse long before we were ready to go home, so this would be the signal that the game had to end.

So I typed "dirt clod war" into Google this morning and only got about 257 matches. I suppose that means the dirt clod war experience is actually pretty rare. Pity. Maybe other people called it other things. Here in the frozen North, where I now reside, I'm sure the abundance of snow makes my old gang's weapon of choice seem primitive and inelegant. (My mind's eye just attempted to picture a new Civil War where the South was armed with dirt clods and the North with snow balls. I think I'd put my money on the South in that conflict.)

Many of the "dirt-clod" sites I found were drenched with nostalgic feelings not unlike my own, so after browsing for a minute I typed "googlestalgia" into Google. The search only turned up two relevant sites, both blogs. So I went to Go Daddy and bought the domain googlestalgia.com. Not sure why, but it'll come to me.

Spume of Summer

Spume of Summer
Originally uploaded by Broussardish.

My funny wife read somewhere on the Internet that if you drop Mentos into soda pop it results in a spectaucular geyser. Since today was the last day of school she decided to bring the elements to Concord High School for an experiment when she went to pick up the girls. Apparently the first attempt resulted in ginger ale spurting into someone's nostrils. They regrouped and tried again with an improvised funnel and Jemi had her camera ready. This time it worked perfectly and she captured the spume at its peak. It seems like a metaphor for the last day of school, so here it is. Happy summer!

Respond to This

BRESETTE THEATRE PRODUCTIONS

Bresette Theatre Productions announces the New England premier of "The Pen!s Responds!" by Oscar winning writer Ernest Thompson.

BT Productions is a new theater company with a unique mission — to bring theatre to the masses with a "pay what you can" admission based on the idea that quality live theater should be for everyone.

Josh Bresette had the dream of starting a non-profit theatre company, which would offer high-quality drama and comedies but bring "something different" to the live theatre experience. "I have had this in mind for a while, and Billy Butler was the perfect person to help me kick it off. He is a theatrical force to be reckoned with," says Bresette.

BTProductions will launch their 2006 season with the New England premier of "The Pen!s Responds", by Ernest Thompson known for his play, "On Golden Pond," which earned him an Oscar, Golden Globe and Emmy award. This 90 minute tour de force will have you laughing, weeping, and squirming in your seat. Josh Bresette and Billy Butler are the two-man cast, and will play a multitude of characters including women, men, children and aging queens. Bresette describes the play simply as, "Two actors playing twenty four characters in twelve scenes about 1 subject!"

Says Butler, "It's a great show and we are aroused by the chance to expose it to the seacoast. This is the perfect chance to share the love with theatre fans who are looking for something different."

"The Pen!s Responds!" opens at The West Studio Theatre in Portsmouth, NH on June 2nd and runs through June 18th. With two nightly performances on Fridays and Saturdays at 7:30 and 10 pm, and Sundays at 8 pm. The show then moves to the Portland Stage Company, in Portland Maine, June 23rd through July 9th. Finally, the Boston Center for the Arts, July 22 through August 5th. Due to subject matter, this production is not appropriate for young children. For tickets call 603-430-0770 or visit www.BTProductions.org

--
"Unnecessary failures are the ones where an artist tries to second guess an audience's taste, and little comes out of that situation except a kind of inward humiliation."
David Bowie